Avion en papier
Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
By this I mean that we will no longer have a shut down system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Kent du Pre Origami Box Instructions has done such focus on Symmetric figures such as stars from which flowers can be folded. Irregular figures have made an appearance occasionally, but the most extreme form occurs in Paper Wonder with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course closely related to paper slicing. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive density. The most recent mention of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Faire Un Avion En Papier Tuto Japanese Origami.
Uchiyama is reported as obtaining a patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are filled with slitting to achieve ears or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the legs. Rohm folded his Festival pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and Avion En Papier Pliage Planeur the other to avoid the complexities of a model achieved solely by folding.
Within a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling This is now usual in animal folds to call for a final modelling particularly when foil has been used and one can be certain of the materials remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modeling following the folding The technique of wetting the paper seems to be Japanese in origin was Faire Un Bateau En Papier Video demonstrated by Yoshizawa at a Convention in Birmingham. Another method of damp moulding using paste in the preparation is talked about by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The retracts tend to be soft and we are approaching statue rather than Origami.
Bateau en papier
The associated arts are Weaving cloth and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at the end Avion En Papier Simple Qui Vole Bien to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer strategy is exploited for their own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to create techniques involving 2 separate sheets of papers each folded to represent some part of the creature and then brought with each other. The theory may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have came out for folding a monster from a number of squares of different sizes.
Comment faire un avion en papier
Inside the most extreme mixtures of water and document we are, of course , in the world of papier-mache which is plainly an open-ended art. DecoratingThe easiest step from your single colour is one side colored and one white or plain. A great offer of modern Origami uses this colour difference. A delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design suited to a special model. The end of this process is evidently the decoration of the ultimate model and so into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then bow and finally string.
Fleur en papier
The slicing out of holes and so forth. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and plainly here we have an open-ended Art. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its simplest form we may use glue, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or cards. The most unusual form of 'display mechanics' that I am acquainted with is by Toyoaki Kawai.